Monday, September 10, 2007
Yawning and Autism
An interesting little insight into the minds of autistic children: They aren't susceptible to "contagious" yawns the way neurotypical folk are. Go to this page on one of my favorite blogs, Mind Hacks, to read the summary of an article in the journal of the British Psychological Society, and to get links to the original article.
Sunday, September 9, 2007
Gold Beats the Devil
I'm reviewing my pleasure-reading for the last few months (all documented extensively here on Thinkulous; just use the search field above if you want to read more on any of these books) and there is an undeniable theme emerging:
1) Moby-Dick, by Herman Melville: A rollicking story of a man's life-defining adventure, written in highly stylish prose, with historical and philosophical underpinnings.
2) Yiddish Policemen's Union, by Michael Chabon: A rollicking story of a man's life-defining adventure, written in highly stylish prose, with historical and philosophical underpinnings.
3) The Egyptologist, by Arthur Phillips: A rollicking story of two men's life-defining adventures, written in highly stylish prose, with historical and philosophical underpinnings.
Ah, but then there's my latest read, picked up this week while on a brief vacation on Cape Cod: Carter Beats the Devil, by Glen David Gold. It's an entirely different deal -- a truly rollicking... story... of a man.... hmm.
Charles Carter is an Edwardian-era prestidigitator, a card-and-coin man rising through the ranks of the vaudeville and chautauqua circuits. He spends his days in malodorous, musty train cars, dreaming of being a big-time illusionist like Mysterioso, who has an opulent train of his own and a secure spot at the top of the bill every night. Even before this endearing biographical adventure gets underway, Gold foreshadows the greatness in the offing, by way of an "Overture" in which Carter performs in a fantastically ornate theater in San Francisco, and receives President Warren G. Harding as a distinguished guest. I won't spoil anything here.
So far, it's a lovely vacation read. I commend Gold for not attempting overly flashy language; as I've pointed out here in posts on The Egyptologist, that seems to be the most common trap of the middlebrow novelist (a title I apply endearingly, by the way). Gold's prose is quite readable, and, at times, even flows admirably in its unpretentious portrayal of a very pretentious time and profession.
I'm only a fifth of the way in. So far, there's been a wonderfully brisk and engaging exposition, followed by some regrettable pages in which the language and plotting loses some of that crystal clarity. Am I one of the few people who have little patience for sweeping novels that bog down in day-to-day soap operas? There are so many of them. Even my main man Chabon is guilty at times (though rarely).
But I suspect I'm in for the long haul with Gold; I'm having fun. I'll keep you posted.
1) Moby-Dick, by Herman Melville: A rollicking story of a man's life-defining adventure, written in highly stylish prose, with historical and philosophical underpinnings.
2) Yiddish Policemen's Union, by Michael Chabon: A rollicking story of a man's life-defining adventure, written in highly stylish prose, with historical and philosophical underpinnings.
3) The Egyptologist, by Arthur Phillips: A rollicking story of two men's life-defining adventures, written in highly stylish prose, with historical and philosophical underpinnings.
Ah, but then there's my latest read, picked up this week while on a brief vacation on Cape Cod: Carter Beats the Devil, by Glen David Gold. It's an entirely different deal -- a truly rollicking... story... of a man.... hmm.
Charles Carter is an Edwardian-era prestidigitator, a card-and-coin man rising through the ranks of the vaudeville and chautauqua circuits. He spends his days in malodorous, musty train cars, dreaming of being a big-time illusionist like Mysterioso, who has an opulent train of his own and a secure spot at the top of the bill every night. Even before this endearing biographical adventure gets underway, Gold foreshadows the greatness in the offing, by way of an "Overture" in which Carter performs in a fantastically ornate theater in San Francisco, and receives President Warren G. Harding as a distinguished guest. I won't spoil anything here.
So far, it's a lovely vacation read. I commend Gold for not attempting overly flashy language; as I've pointed out here in posts on The Egyptologist, that seems to be the most common trap of the middlebrow novelist (a title I apply endearingly, by the way). Gold's prose is quite readable, and, at times, even flows admirably in its unpretentious portrayal of a very pretentious time and profession.
I'm only a fifth of the way in. So far, there's been a wonderfully brisk and engaging exposition, followed by some regrettable pages in which the language and plotting loses some of that crystal clarity. Am I one of the few people who have little patience for sweeping novels that bog down in day-to-day soap operas? There are so many of them. Even my main man Chabon is guilty at times (though rarely).
But I suspect I'm in for the long haul with Gold; I'm having fun. I'll keep you posted.
Sunday, August 26, 2007
The Egyptologist: Final Report
The Egyptologist turned out to be a good book, not quite delivering on its early promise, but definitely a rewarding read: fun and thought-provoking. At the very least, you'll learn tons about the sate of the art of archaeology in 1922.
The tedium in the second half, which I reported in my most recent post here, was relieved toward the end, when events finally began to break, a new character's perspective was added to the story (via yet more letters), and, of course, I finally found out who was who, and who done what.
"Who was who?" was really the more interesting question. The blurbs on the back of the book, by such luminaries as Gary Shteyngart and XXX, all call attention to the themes of immortality and fame in the book -- the most obvious topics Phillips was exploring, with everyone from pharoahs to academics to small-fry private eyes vying to burn their names indelibly into the pages of time. Indeed, Phillips has a very sure hand when painting people's vanities. Funny stuff.
But I was more intrigued by Phillips' games with the notion of identity. No one is who they seem to be, even after you think you've figured out who they really are. More interesting yet is who they think they are, and what they do because of it. The stories we tell ourselves about our lives, as any narrative-oriented therapist will tell you, motivate or justify our actions, and help us make sense of our past. When that capacity runs out of control, feeding and being fed purely by ego, how far out of joint are the results likely to be? Lives get their circuits crossed, and much disaster -- or hilarity, depending on how mordant your sense of humor is -- ensues.
The tedium in the second half, which I reported in my most recent post here, was relieved toward the end, when events finally began to break, a new character's perspective was added to the story (via yet more letters), and, of course, I finally found out who was who, and who done what.
"Who was who?" was really the more interesting question. The blurbs on the back of the book, by such luminaries as Gary Shteyngart and XXX, all call attention to the themes of immortality and fame in the book -- the most obvious topics Phillips was exploring, with everyone from pharoahs to academics to small-fry private eyes vying to burn their names indelibly into the pages of time. Indeed, Phillips has a very sure hand when painting people's vanities. Funny stuff.
But I was more intrigued by Phillips' games with the notion of identity. No one is who they seem to be, even after you think you've figured out who they really are. More interesting yet is who they think they are, and what they do because of it. The stories we tell ourselves about our lives, as any narrative-oriented therapist will tell you, motivate or justify our actions, and help us make sense of our past. When that capacity runs out of control, feeding and being fed purely by ego, how far out of joint are the results likely to be? Lives get their circuits crossed, and much disaster -- or hilarity, depending on how mordant your sense of humor is -- ensues.
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